
Olivia Rapos is a passionate and accomplished coloratura soprano, multi-instrumentalist, and music educator based in Vancouver, BC. With nearly two decades of experience as a performer and over nine years as a teacher and coach, Olivia has built a reputation for artistic excellence, versatility, and a heartfelt commitment to student success.
A graduate of the University of British Columbia’s Bachelor of Music program in Opera Performance, Olivia trained under celebrated artists Nancy Hermiston (OC) and Judith Forst (OC, OBC). She also holds her Grade 10 Voice Certification from the Royal Conservatory of Music and studied Jazz and Musical Theatre with internationally renowned performers. Her classical training is complemented by extensive experience in pop, jazz, and musical theatre—making her a uniquely versatile artist and educator.
Olivia’s performance career began at the age of nine when she was cast in the principal role of Todd in Westben’s The Auction, earning praise for her “excellent work” from Ludwig van Toronto. By thirteen, she debuted as Violet in Brian Finley’s The Pencil Salesman, with glowing reviews in Opera Canada and The Toronto Star. Since then, she has portrayed roles such as Kitchen Boy (Rusalka), Anna Reich (The Merry Wives of Windsor), Sandman (Hansel and Gretel), and the title character in The Little Match Girl. Olivia has also starred in numerous musicals and operettas across Canada, and released multiple recordings, including her debut jazz album Jazz Maiden in 2013.
In addition to her vocal work, Olivia is an award-winning alto saxophonist and French horn player, having earned national recognition and first-chair honors in multiple competitions. Her artistic breadth has led to a rich and varied career, with performances spanning opera houses, jazz clubs, and theatrical stages.
As the founder of her private studio in the heart of Vancouver, Olivia brings the same passion and professionalism to her teaching as she does to the stage. She offers instruction in voice, piano, saxophone, French horn, and movement, welcoming students of all ages and levels. With specialized experience working with children with ASD and Down syndrome, Olivia is committed to creating an inclusive, encouraging environment where every student can thrive.
Her teaching philosophy emphasizes technical excellence, creative expression, and personalized mentorship. Whether guiding beginners through their first musical steps or coaching advanced students toward their performance goals, Olivia inspires confidence, creativity, and lifelong joy in music.
From studio to stage, Olivia Rapos is proud to share her journey and help others find their own voice through the power of music.
Meet Olivia
What I Believe
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Philosophy of Teaching
As a music educator, I believe in the transformative power of music to inspire, educate, and shape the lives of individuals. Music is not merely an art form; it is a vehicle for emotional expression, cultural understanding, and intellectual growth. My philosophy of teaching is rooted in the conviction that a comprehensive music education contributes significantly to the development of well-rounded, creative, and engaged individuals.
Music is a universal language that transcends boundaries. It has the unique ability to evoke emotions, convey stories, and connect people across diverse cultures. I view music as an essential element of the human experience, providing both aesthetic enjoyment and intellectual stimulation.
My primary goal as a music educator is to nurture a lifelong appreciation for music in my students. Beyond imparting technical skills, I aim to foster creativity, discipline, and a sense of dedication. Music education, in my view, should empower students to explore their unique musical voices and instill in them a passion for continuous learning and self-expression.
In my studio, I embrace a student-centered approach that recognizes the individuality of each learner. I strive to create a supportive and inclusive environment where students feel encouraged to express themselves, take risks, and collaborate with their peers. By tailoring my teaching methods to students' needs and interests, I aim to cultivate a love for music that extends beyond the studio. It is incredibly important to me to not only convey technical proficiency but also let the student be their own advocate for their learning.
I am committed to fostering inclusivity and diversity in my music studio. Recognizing the richness of musical traditions worldwide, I expose students to a broad spectrum of genres, styles, and cultural perspectives. This approach not only enhances their musical proficiency but also promotes a greater understanding and appreciation for the diversity within our global community. My expertise also extends across all different levels and capabilities as well as ages of students. I especially enjoy working with students with ASD, Down Syndrome and other intellectual disabilities and recognize the profound therapeutic effect it can have.
Music education goes beyond the development of technical skills; it encompasses the holistic growth of each student. I actively engage in activities that encourage emotional, social, and intellectual development. Through collaborative projects, performances, and reflective exercises, I strive to shape well-rounded individuals who are not only proficient musicians but also critical thinkers and empathetic citizens.
My teaching methods blend structured instruction, creative exploration, and technology integration. I incorporate a variety of learning experiences, including traditional repertoire, improvisation, and composition, to cater to different learning styles. By leveraging technology, I aim to enhance students' engagement and provide them with tools for independent musical exploration.
Assessment is a dynamic and ongoing process in my studio. I employ a combination of formative and summative assessments to gauge student progress. Feedback is constructive, emphasizing areas of growth and providing guidance for improvement. Assessments are not merely a measure of performance but a valuable tool for fostering continuous development and self-reflection.
Collaboration and community-building are integral to my teaching philosophy. I encourage students to work together, fostering a sense of teamwork and shared achievement. Additionally, I actively engage with parents, colleagues, and the broader community to create a supportive network that enhances the overall musical learning experience.
As a dedicated music educator, I am committed to continuous professional growth. I actively seek opportunities for professional development, stay informed about current trends in music education, and reflect on my teaching practices. By remaining open to new ideas and embracing a growth mindset, I aim to provide the best possible educational experience for my students.
In conclusion, my philosophy of teaching as a music educator is grounded in a deep appreciation for the transformative potential of music and a commitment to fostering holistic development in my students. By creating a student-centered, inclusive, and collaborative learning environment, I aspire to inspire a lifelong love for music and empower my students to become thoughtful, creative, and engaged members of society.
UPCOMING EVENTS
UPCOMING EVENTS
August 24
Nebula Performances
Vancouver, BC
Guest Artist
Artist Recital during the Vancouver International Vocal Workshop presented by Nebula Performances
Guest Artist
Chinese Art Song Recital
Tickets available through eventbrite (check back for link)
September 14
Nebula Performances
Vancouver, BC
September 17
Northumberland Festival of the Arts
Northumberland, Ontario